My practice emerges from a migratory process that reconfigured my relationship to territory, perception, and belonging. Through displacement, landscape shifts from a fixed geography into an embodied field shaped by memory, movement, material encounter, and emotional resonance.

Working across painting and material-based processes, I combine natural pigments, experimental surfaces, and collected matter within a single research framework. My work moves between sensory and perceptual registers, from paintings attuned to environmental and emotional perception, to works where found materials guide processes of transformation. These explorations generate traces, fragments, and residual forms that emerge as marks of time and heritage of different places.

Rather than understanding territory as a subject of representation, I think of it as a space in constant transformation, where perception and matter continuously shape one another. Each work becomes a space where external territory and interior experience begin to dissolve into one another, where matter holds memory, presence, and the shared experience of moving through time, place, and transformation.

I approach my practice as an evolving path, where each step of the research opens onto new studies, materials, and forms of transformation. Rather than following a fixed direction, I allow the work to develop through this ongoing process of exploration, letting each encounter shape where the practice moves next.